UK Living (Sky TV) Supporting J.Chapman
London Tonight - (Carlton) Supporting J.Chapman
Capital Woman - (Carlton) Supporting J.Chapman
The Girlie Show (Channel 4) - Supporting Natasha Atlas
Looking Good - (BBC2) - Supporting J. Chapman
GMTV2 - Satellite Series - Bodyfile Parts 3 and 4.
Radio 5 Live InterviewVIVA interview with Christine HallMagazines & Newspapers
The Independant, Bella
Leighton Buzzard Observer
The Watford Observer
North London College
The White House Hotel
Edgware Social Club
The Barbican Dance Festival
Workshop for Beginners in Zurich
Otchi (Russian) Restaurant
Trinidad & Tobago Nurses Society
Eleses (Turkish) Restaurant
Crest Sports Centre
American College of London
Oscars Mezzie Bar
The Regent Banqueting Suite
PO NA NA (Private Club)
The Waldorf Hotel (The Palm Court)
The Annual Barts and The London Charity Show
Aura & Baraka in Watford.
Centre Parks(Sherwood Forest) Weekend Dance with Mr Motivator (Derek Evans)
FANTASIA (Teaching and Performing) April 2005. & DECEMBER 2009
END OF THE YEAR SHOW FOR MAYOR AND MAYORESS OF LEIGHTON BUZZARD 2006
WIGGLE IT EVENT IN CLACTON 2006
JEWELS OF THE NILE SHOW - LUTON THEATRE 2007 & 2009
NYLA (Debbie Phillips) HAFLA - (in aid of Help the aged) - 2007
PLANET EGYPT (London) 2009 AND 2010
WATFORD LIVE COMMUNITY ARTS FESTIVAL - 2009 & 2010, 2011, 2012 AND 2013, AND 2014
SAMEERA SHIMMY NITES 2010 (Stratford Circus Theatre)
THE DORCHESTER HOTEL, LONDON - DECEMBER 2010 & DECEMBER 2011, 2012 AND 2013
COMMUNITY CHAMPIONS EVENT - GARSTON, WATFORD JAN 2011 & 2012
ARABESQUE NIGHTS - GUNNERSBURY, FEB 2011, APRIL 2012, & JUNE 2012, FEB 2013, JUNE AND SEPTEMBER 2013, FEBRUARY 2014, 2015 and 2016 - Sadly Arabesque Nights showcase is closing after 6 years of shows will be sadly missed. Thanks for the memories Natalie , Jennie and Krystina
SHOWCASE PERFORMANCE -FOR CHARITY WHITECHAPEL MISSION - JACQUELINE CHAPMAN'S SHOWCASE - MARCH 2011
SILK ROUTE SHOW - MAY 2011, MARCH 2012, MARCH 2013
WATERWAYS FESTIVAL , CASSIOBURY PARK WATFORD 2013 JULY
THE ARAB QUARTERLY SHOW , Islington Assembly Halls London. -JANUARY 2014
& JUNE 2014
NEW YEARS EVE - TARBOUSH - 2014/2015/2016
HARROW GOT TALENT - 2015
SPATIUM - Seminar/Workshop - 2015
WATFORD LIVE - 2016 (7TH YEAR) - Sadly event cancelled due to weather)
Desiree's Summer Tea Hafla - 2016 - Coventry
THEATRE - BELMONT THEATRE GROUP- Ameture status.
Suddenly at Home by Francis Durbridge - - Playing Maggie - May 2017
Stepping Out - Playing Rose - October 2016
Night Must Fall - Playing Nurse Libby - May 2016
Sitting Pretty - Playing Josie - Feb 2016
Relative Values - Lead Role 2015
Musical of Musicals 2014
The Real Inspector Hound - 2014
Also experienced in Prompt /Continuity and Front of House
Egyptian/Turkish and English WeddingsTeaching for Video (Supporting J Chapman)
Dancing With Live Bands
Private Lessons & Hen Parties
The Importance of Warm Up?s - Certificated
Company Christmas Parties
Scarves, Stick, Veil, Zills (Finger Cymbals), Raks El Shamadam (Candelabra) Dance
SPECIALITY - 2 & 1 Swords (Tateeb), Fans, Choreography and Structuring. HAFLA ORGANISER
REVIEW - SUDDENLY AT HOME
Operatic & Dramatic Association
Production : Suddenly At Home
Date : 24th May 2017
Venue : Pump House Theatre
Report by : Gillianne Morris-Monk
Thank you for inviting me to review your production and for the kind welcome and hospitality from FRANKIE HOGAN and the front of house team, which was co-ordinated by ESTELLE DELL.
‘Suddenly At Home’ is a murder mystery with a difference. Early on we see the murder taking place before our very eyes and therefore know ‘who dunnit’. The mystery is whether or not the murderer will get away with it. We are used to plays of a high standard from Belmont and this production, set in the 1970’s, did not disappoint. The curtains opened to yet another beautifully presented set. Well done to set designers PAUL BOTLEY and BILL REBELLO with construction by MARK DREELAN and members of the company.
Directors GRAHAM BRODERICK and PAUL BOOTLEY had put together a well flowing piece of gripping storytelling, with each character playing their part to keep us in suspense. The action moved along at a good pace to maintain the interest of the audience throughout. The actual ‘murder’ was extremely well directed with lots of complicated business especially with the handling of the ‘body’. For a first attempts at directing, Graham, you did very well and I hope you enjoyed the process as much as the audience enjoyed your production.
Properties and furniture were well sourced by HELEN SHERWOOD and ELLEN MOYES with special props by LES SUTHERLAND. All were in keeping with the period and for a number of us in the audience there were some nostalgic moments as we recognised items from our youth in the 1970’s.
All changes were carried out smoothly and efficiently by the team, stage managed by LORNA ALDER.
Lighting and sound by EDDIE STEPHENS, KIM RODGER and HELENE SMITH really enhanced the production. The mysterious, eerie music at the beginning and during the changes set the scene, getting the audience in the mood for what was to come. However, there was a moment in Act 2 when music over dialogue was a little too loud so that we struggled to hear what the actors were saying. Also, the doorbell and slamming of the front door offstage were rather too loud to be natural. A small point but something that can be easily remedied. Because of the layout of the Pump House stage and auditorium, this is always a problem for all the companies that perform here so it is worth spending a little extra time sound checking at get-in. Lighting filled the stage with no shadowed corners enabling us to see the actors at all times, even during moments of low ‘mood’ lighting. I am always pleased to leave a performance without remembering too much about the lighting as this means it has been natural and well executed, enhancing the actors’ performances, not drawing attention from them.
Wardrobe by ANNE SUTHERLAND was exactly right for the 1970’s and for each character. For those of us who remember this decade well, it was a trip down memory lane.
The programme was well laid out and informative. The posters were eye-catching and in keeping with the subject matter. Both were well designed by MIKE and MAGGIE MORROW with photography by ALICE BREZINSKA.
Glenn Howard – MICHAEL COLLINS
What a fun role to play, so competently performed by this seasoned and experienced actor. The intricacies of the dialogue flowed with ease and all the business when alone on the stage was slick and kept the audience enthralled. The plotting and then the carrying out of the actual murder, then dealing with the body, was handled so efficiently and naturally, to be totally believable. I was particularly impressed with the contrast between the confidence before the murder and the unease as things begin to unravel after the murder. I certainly forgave the moment when Michael called Helen Sheila and then muddled everyone’s names on opening night, as I am sure the character would have done the same at that point under such pressure!
Helen Tenby – NATASHA WELCH
This was a good, confident performance and no-one in the audience would be able to tell that this was Natasha’s first performance as an adult if they had not read the programme. Dialogue was delivered in a natural manner, although, to begin with it was a little rushed and I did miss some of what was being said. However, that is understandably due to opening night nerves and Natasha did settle into a more measured delivery as the action progressed.
Maggie Howard – DAWN HARVEY
What a peach of a role, flamboyant and, as Dawn herself said, larger than life. Dawn threw herself with gusto into her performance. Projection and diction were good with nice facial expressions. As the murder victim Dawn is to be commended on her handling of the actual murder scene and the subsequent length of time being left on stage as the body, remaining completely still, even when being man-handled by the murderer, until she could finally leave the stage.
Sheila Wallis – TARA PATHIRANA
This is quite a tricky role as Sheila is in on the plot and has a part to play providing an alibi, but she is uncomfortable with the situation and worried that something will go wrong. Tara successfully gave us a ‘nervy’ performance leaving us in no doubt as to Sheila’s unease, especially when things don’t go to plan. Tara articulated clearly and moved well around the stage, interacting well with the other characters.
Sam Blaine – LAURENCE CONWAY
An effortless performance from this experienced performer. Good delivery of dialogue throughout. There was a convincing change of character from the happy-go-lucky author of saucy books to the fearful murder suspect, who realised he is being set up and likely to be accused of committing the crime. Nice interaction with the other characters.
Ruth Belcher – DURBA ROY KINI
Although a small role, Durba did well in her debut performance for Belmont. Be careful Durba, not to rush your dialogue when you are nervous – the opening dialogue was a little difficult to understand on opening night but once you had steadied your nerves every word could be understood. Good facial expression and natural movement around the stage.
Detective Inspector Appleton – STEVE MERCER and Remick – MIKE BLAND
Although small roles that do not appear until much later in the play, both are extremely important to the plot and the final ending. Steve and Mike played their parts well with solid characterisation and well-handled interaction with the other characters.
I do love a murder mystery and really enjoyed this production.
Thank you once again for your very kind welcome and hospitality.
NODA London District 10
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